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Mark de Clive Lowe Interview

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New Zealand native and accomplished pianist Mark de Clive Lowe has been a key player in the broken beat/nu jazz music scene for the past 6 years. His debut album "Six Degrees" in 2000 gained critical acclaim worldwide. He's also the man behind dance music anthems "Relax Unwind." His remix of Shirley Horn's "Return to Paradise" ranks as one of best productions on the "Verve Remixed" series. The upcoming album "Tides Arising" brings in vocal talents of Bembe Segue, Abdul Shyllon (the voice behing "Relax Unwind"), and rapper Capitol A, alongside his impeccable soul-dance style.

Emmerald: What part of New Zealand are you from?
MDCL: From Auckland in the North Island.

Emmerald: That's a nice town. I had a lay-over in Auckland a few years ago when I went to Australia. I was there three days and it rained the whole time. (laughs) It was nice though.
MDCL: What time of year was that?

Emmerald: It was in October, so it was spring there. .
MDCL: It's pretty amazing down there if you get the chance to go in the summertime, like December or January.

Emmerald: Oh yes, I can imagine. So you've moved to London now. How long have you been there?
MDCL: I came over here for the first time in 1998, and then I moved over in 2000.

Emmerald: Do you think you might go back home?
MDCL: Oh yes, that's definitely on the cards. It's too special down there to pass it up.

Emmerald: What's the jazz music scene like in New Zealand?
MDCL: I think now it's influenced by soul and hip-hop, but when I was growing up, there were more old boys playing straight-ahead jazz. Those of us who were younger were doing our own thing, but the grown-ups were in that straight-ahead mode. We were also into what was big in New York in the late 80s, early dance and stuff like that. There was also a big cross-over scene with funk and hip-hop. And there were a lot of rap musicians down there. So we had all that going on as well.

Emmerald: The indigenous people in New Zealand, the Maori people, what kind of music do they make?
MDCL: It's not as deep as what you get from Africa or the Caribbean or the Americas, but in the Pacific Islands, there are some places that have some great rhythms and a more traditional indigenous sound with the percussion and the harmony. But in New Zealand itself, I don't think there is so much of that; it is a lot simpler style.

Emmerald: Have you seen any efforts to use or collaborate with Maori musicians?
MDCL: There're some world music acts that are touring around Europe a lot which bring the Maori cultural element into their music. There's also a new generation of hip-hop and soul kids who are bringing in the percussion and the Maori language as well, so it's definitely happening, yes.

Emmerald: Are there artists in New Zealand who are making music that would probably be termed "nu jazz" or "broken beat?"
MDCL: Definitely. There's a production crew called This Information who are doing that kind of broken soul and house stuff. There's definitely a growing scene for that whole sound. I think the kids who grew up on jazz and hip-hop and house want to make that same kind of music, and they want to branch out and do it creatively.

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