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Mark Lewis - Mixology Interview

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Mark Lewis - Mixology Interview

Mark Lewis rocking the dancemusic.about.com button

www.MixologyInc.com
A highlight of the Winter Music Conference each year is the Mixology Records closing party. Featuring a variety of the greatest DJs currently spinning throughout the world, it's a great time to chill with friends and get your last groove on for the week. I talked with Mark Lewis, founder of Mixology records, in a teepee at Nikki Beach to chat about the annual tradition and what the WMC is all about.

DJ Ron Slomowicz: So you have the official closing party of the Winter Music Conference, and it looks like it's going big time. How did you plan this?
Mark Lewis: Well, we started it six years ago, a friend of mine was in marketing and he was doing a bunch of events at the Mariott Hotel, poolside, and he said 'why don't you call some of your friends like Carl Cox and Seb Fontaine and ask them will they be up for playing one of your parties.' So Nikki Beach was really supportive on doing the after party after we did Diwali and we really liked the fit of the venue and what this beach was all about, because they had a relationship with the owner, Eric Moyers, from coming to the Conference over the last fourteen years. And he said 'yes, we'd love to get involved with your event,' and after a couple of years we found out that this was the right spot, people didn't want to go back to another club, they'd been clubbed-out for the last four or five days and it was a nice way to wind down and do some last minute meetings, meet some people that you hadn't seen and put some DJs on in a smaller environment that makes it a little bit more intimate for the closing. So, six years later on we feel like we've evolved, we've added some new talents to the lineup and then decided to do this seventeen-hour marathon here. It's been a little bit slower than expected, but we're back up to speed. Because Mixology is really a 9 to 5 a.m. party, so…

RS: OK. One thing that's really cool about Nikki Beach is that even when the weather's bad, it's still a good party. What about Nikki Beach, do you think, makes it such a good vibe?
Mark Lewis: Well I think that people can come here and they can have lunch and they can sunbathe and they can go home, and then they can come back and they can still lounge around, it's got that whole GQ lifestyle thing attached to it. And, you know, we're sitting in a teepee doing this interview, it just makes it really cool.

RS: How do you find the up-and-coming talents?
Mark Lewis: Well, I was out last night at a club called Angel, John Digweed's club, and I was playing and this DJ from the Netherlands was playing, he was like twenty-three or twenty-eight and he was seriously laying down some grooves. And I was like 'yes, when you're young and you're hungry, you want to prove a point and have a definitive sound. And I love it that the young guys are committed. I listen to the tunes that they're playing and they're really on it.

RS: I also noticed you have your next day out here as a charity event, what about that makes you like support that event?
Mark Lewis: Well we always like to support charities because it's just good karma, and the people that created Next Aid are Craig Keys and his wife, and they've been really diligent on bringing attention to what's happening with kids having AIDS in Africa, and raising money and bringing the music industry in. I've worked with Life Beat before for a number of parties for Mixology, you do what you can. You try to get involved, and every little bit counts.

RS: And Mixology is also a record label, correct?
Mark Lewis: Yes, it started off as a record label, I had a P and D deal in the Year 2000 and it was really more vinyl-based, and our first single we licensed to Global Underground, to Steve Lawlow, and then to Ministry of Sound. And then from there we kind of signed more stuff that was more vinyl-based. And then I stepped back after I lost the deal and I thought to myself, 'well, what is Mixology,' and I thought to myself 'it's a little bit more attached to a cutting edge lifestyle.' So once I started getting back into the studio and started producing music, and we did our single I Found You on the Interstate, I gave it to Oakenfold and he licensed it for Queen Fields. We decided to create Mixology Recordings as more of a production company where we could, you know, sign artists or sign content and just do licensing deals. So that kind of like put us back into full throttle with being involved with the label side of things and then doing the Mixology events. And then realizing that the events cost a lot of money to put on, we had a marketing division that goes out and seeks out sponsorships that raise money to put on the events.

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