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Emmerald’s Yellow Brick Road

From Emmerald, for About.com

Emmerald

Emmerald

Emmerald
In a perfect world, the 12 inch dance records that provide mind-altering sonic journeys through dance floors around the globe would sell the 500,000 units required to reach the coveted Gold status. Enough people out there would hear the brilliance in this music and would buy up 12-inch singles like they were a staple of a low-carb diet. In a perfect world, the infinitely talented artists making dance music would receive some proper widespread recognition. Unfortunately, this world isn’t perfect, and Gold records are often made from music barely worth its weight in tarnished gold-plate.

Fortunately for you, Emmerald’s Yellow Brick Road is paved with 24 carat music gems. Check out these nuggets well worth their weight in gold.

ARTISTTitle (Label)

SimbadPeaktime (Earth Project)—“Come strong, or don’t come at all”, they say. Simbad must have eaten his Wheaties the day he made this one. This double-sider sends blinding storms across the dance floor. One side treats you to a Bugz in the Attic-esque broken beat with yum yum sultry vocals from Z Star. The second side, a “peaktime” staple right at home at the height of the night, lures house-heads, techno-heads and electro-heads to the dance floor’s center.

Willie BoboLa Descarga del Bobo (Masters at Work Remix) (Verve)—Ah yes, the dons of Latin-house are back (as if they ever left), following up their first Verve re-edit of Nina Simone’s “See Line Woman” with an altogether new Verve remix project. “La Descarga del Bobo” is the first promotional single from the upcoming “Masters at Work Present Latin Verve Sounds” due out mid-June 2004. MAW never fail to bring out the best percussive rhythms and cozy chords to create sounds reminiscent of old New York Salsa dance clubs. This latest effort is no exception to their rule of excellence.

Jody WatleyThe Essence (FiveSixRecordings)—Eons after Soul Train and Shalimar, Jody Watley still knows how to sing us round-a-bout the dance floor. Together with the immensely talented King Britt, she coos uplifting vocals atop gorgeous keys and a spunky broken rhythm. GB takes the tune “There”, going all Scuba-like on King Britt. GB’s remix incorporates rolling percussive rhythms and that lovely clack-clack that we bruk-heads love so, along with a spicy little jam session on the keys. Not be outdone by the B-side subtleties, DJ Yellow kicks up the tempo with a DJ-friendly deep house spin, very well done for the club.

Benny BlankoMy Life (Playhouse)—This one’s probably an oldie but goodie in the short shelf-life world of dance music, but must be mentioned here so if you missed it the first time around, you won’t make that mistake again. This is ESSENTIAL for anyone into Osunlade, Afro-house sounds and deep house. Vocals are sparse sampling a Roy Ayers’ loop from “Everybody Loves the Sunshine”. The rest is basically a classic Osunlade-style beat with rich chords. Tres’ simple et magnifique!

JustOneLove 2 Love (Neroli)—This is another gem that’s been making waves for a minute, but again needs to be mentioned here for those who may have inadvertently missed out. “Love 2 Love” is one of the most purely interesting songs I’ve heard in a long time. Grounded in a 4/4 beat, the bassline on the Original mix rolls along parallel to Just One’s spiritual vocals. Clever synth sounds pop-up throughout the song along with a tambourine on the off-count, and a half-time beat breakdown in the center and the end of the song. Flip over for the Interstellar mix, beautiful jazzdance for the beginning or end of a superb night. And not to be outdone on his own label, Isoul 8 comes correct with his own remix, again bringing a heavy bassline that creates a swinging groove.

JazztronikSamurai (Especial)—Everyone needs travellin’ music for the journey down the bricks of gold, especially if that journey leads you to Japan, home of some of the best music in the world, period. Japan’s Especial label is known worldwide for churning out some of the most amazing and elusive tunes to hit the dance floor; “Samurai” is no exception. Slightly up from the comfy 123 BPMs, this near epic is twelve minutes of rolling piano, syncopated rhythm and intermittent vocals that you really just have to hear to believe. One word—incredible.

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