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Amp Fiddler and Sly & Robbie's 'Inspiration Information'

About.com Rating 3.5

From Jimi Bruce, for About.com

Amp Fiddler / Sly & Robbie - Inspiration Information, Vol. 1

Courtesy CFP/Strut/!k7
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Ok, I’m not always the brightest bulb on the tree; I didn’t even know that Amp Fiddler was not the name of this new album by veteran rhythm section Rasta men Sly & Robbie, but instead a musical recording artist in his own right whose resume includes being part of George Clinton’s Parfliament/Funkadelic! (How would I know that, anyway?) However, thanks to Stephen over at the! K7 label group, I now know that Inspiration Information is the name of the album, and the music is a product of the happy collaboration between Amp Fiddler/Sly & Robbie.

Inspiration Information is taken from the name of a 1974 monster-hit by another favorite named Shuggie Otis, I guess. This album takes you from Kingston to Motown; Marvin to Sly & The Family (Affair) Stone, the latter must have added incentive to the musical theatrics in that drummer Lowell Dunbar’s nickname is “Sly”, and thus you have the beginnin’s of a moniker; bassist “Robbie” is Robert Shakespeare – what a cool name! And since we are in an “It’s a family affair” mode, go quickly to track five, “Paint The White House Black” to reminisce through the wonders of modern collaboration ‘tween basic Jamaican roots rock and classic soul to exact a rubber stamped texture. Hear what I mean when you listen to relatable lyrics like, “And 9/11 blew us to Irag/so let’s paint it, Paint the white house black.” Viewed from the perspective prism that the title of that song was chosen far in advance of the recent U.S. presidential election’s results, I’d have to call that a happy “irony’. “I Fell On The Wagon” rides like a galloping covered wagon train pursued by the outlaws across the plains in an old Western movie, while “Lonely”, the title curiously reviving a Chi-Lites’ record memory of a lonely man, rocks the rest stop fantasy with the sway of an easy hammock at the mercy of a consistent breeze between the trees – one of your writer’s faves.

“Drama Inside” and “Vibrationship” caught my attention as I had to look to make sure that the vocal wasn’t some never-before-heard Marvin Gaye tune! It even sounded like that old pro baller Mel Farr and company in the background. Amp seems to play with this homage of emulation throughout the album. At times, even the funky syncopated beat is like something off of one of the sessions that might have mystically lead to the creation of a”Let’s Get It On” or “Ego-Trippin’ Out”.

The best groove on this album comes from “U” which remained track four on both the preliminary and Final versions of the album that I received. Here is where, set to a lively pace, the totally into the croonin’ flow of lead singer Joseph “Amp” Fiddler, a solid central Caribbean beat, and I- Tree style background vocals combine to make this one move so nicely against your eardrums. “Callin’ on the phone for U/Telling my friends about U, Baby it’s all about U.” I can see her response in the way her hips sway in the foreground with the white sand and incoming tide creeping in the background and my head nods to the beat. Come back from that daydream, is how “Serious” reclaims continuity after a couple of tracks that laden the initial momentum. I’m further impressed that they added the final two of the thirteen songs to round-out the feeling. In that vein especially is “This World” to put the bow on it by reminding that these are composers who are conscious about the Earth. So that is what the sum-total of learning some new information each day is, and in my retarded case, painted with a robust three-and-a-half renovate-the-people’s-house to neutral or leave it alone stars. ‘nuff respect.

Released October 28, 2008 on Strut/!k7 Records.

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