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Om: Lounge 10

About.com Rating four out of Five

From John Brassil , for About.com

Various Artists - Om: Lounge Ten

Om Records

Hard to believe that this series of downtempo groove is into double-digits now, but Om is all about givin' the people what they want, so here we go again. This installment launches with the smoky (and smoking) Samantha James on "Rise" which actually has enough bounce to it to succeed as dance floor selection. Next up is the smoov percussion of "Broken Ambers" from Gil T, laced with layers of electronics, vibes, winds and sexy vocals. That flows naturally into Shazzam's "Huff N Puff" a more traditional late-night R&B tune with some interesting vocoded vocals in the chorus. Joey Youngman steps up next with a bit of synth-centric jacked beats on "Gotta Be Love," followed by the faux vinyl undercurrents on Stolen Identity's "Argentina" which, despite its name, is more of a nod to mid-90s trip-hop than anything south of the equator.

There's an interesting mix of phased and flanged electronics and vocal harmonies from Jianda & Patchen on "Wish" before label stalwart J-Boogie's Dubtronic Science checks in with the eastern flair of "Chopsticks" - no worries, piano players, there's not even a trace of your early days of practice in this one.

Kicking off the second half of the disc is another belly-rubber, "Not Feelin' This" from Simeon, featuring a tightly woven male/female vocal duet. For the first few seconds of "No More Sand In My Lipbalm," it sounds as though Al Jarreau might have stolen in for a few moments, but this clever little tune is all about the sax, and definitely one of the more overtly true lounge tunes here. The jazzy feel continues with "Into You" from Sidestreet Players, mellow keys, upright bass and love-song lyrics beautifully delivered by soulful sirens. There's more like that on the way next from Michelle Shaprow on "Anything U Say" another track with enough tempo to set as much of your body into motion as you feel up for. Then it's time for JT Donaldson to drop the "New Tempo," which sounds pretty much like the old tempo (whatever that means).

Next to last we have J Davis with the instrumental "Everything," featuring solo trumpet and the occasional vocal samples over kicking congas and drum machines.

We end where we started out, with Om proving once again they know what they are doing, saving the fantastic flute on Hideyo Kobayashi's "Almost There" for last, closing the album out with solid kick to the rump that reminds you it's time to get up and crack some more ice for the blender.

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